“Paradise lost? – On the threat to nature” The Berliner Philharmoniker’s Biennale

Date
13.02. - 01.03.25

Programme
Concerts · Lectures 
Co-operations with museums
 

Works by
Srnka · Varèse · Beethoven
Tarkiainen · Dean · Villa-Lobos
Scriabin · Saariaho · Debussy a. o.
 

Artists
David Robertson · Marin Alsop · 
Dalia Stasevska · Alexander Melnikov a. o.

Climate change and species extinction threaten our planet. In February 2025, the Berliner Philharmoniker’s Biennale will address the threat to nature in a series of events titled Paradise lost? The perspectives are diverse: works such as Debussy’s La Mer and Beethoven’s Pastorale celebrate the beauty of our world, Miroslav Srnka’s Superorganisms shows the interconnectedness of life forms, Brett Dean’s Fire Music depicts the destruction caused by a bushfire. Discussion panels, lectures by experts and collaborations with museums and other orchestras will explore the theme in greater depth. The aim? A sharpened view of the crises and fresh perspectives for our future.

About the festival: Programme focus

Heat, drought, floods – extreme weather events are hitting us more frequently and more severely. Our planet is in danger, and the cause is man-made climate change. Scientists agree that rapid and consistent countermeasures are needed. The Berliner Philharmoniker’s third Biennale in February 2025 will focus on this existential challenge with a series titled Paradise lost? On the threat to nature.

As part of the series, the Berliner Philharmoniker with present three concerts with David Robertson (replacing Kirill Petrenko) and guest conductors Marin Alsop and Dalia Stasevska; additional concerts will feature visiting soloists such as pianist Alexander Melnikov. Through the medium of music, the audience will be confronted with the devastating power of the elements of fire and water, but will also experience the breathtaking beauty of the Amazon rainforest. A total of three commissioned compositions, including the new work Superorganisms by Czech composer Miroslav Srnka, are dedicated to the Biennale theme. There will be chamber music and late-night concerts in additional locations around the city. Concerts by the Deutsches Symphonie-Orchester Berlin, the Rundfunk-Sinfonieorchester Berlin and the Freiburger Barockorchester complete the festival’s music programme.

However, the Berliner Philharmoniker’s Biennale is a cross-genre and cross-art-form festival that creates additional perspectives through events beyond the traditional scope of a concert hall. Partners for the next edition include the Berlin Natural History Museum and the Berlin State Library. Exhibitions, readings, talks, lectures by experts and installations in the foyer of the Philharmonie will explore the topic in greater depth.

Biennale package

If you visit several events of the Biennale, you can benefit from our package discounts!

Programme & Events

Kirill Petrenko stands at the conductor’s desk and conducts the Berliner Philharmoniker

Biennale of the Berliner Philharmoniker
Main Auditorium

Biennale Opening Concert

Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Olivier Messiaen, Sarah Nemtsov and Paul Hindemith

Olivier Messiaen
Les Offrandes oubliées

Sarah Nemtsov
Antlitz (premiere), commissioned by the Berliner Philharmoniker Foundation, commissioned by Berliner Philharmoniker Foundation, th eLucerne Festival and the Bayerische Staatsoper

Interval

Paul Hindemith
Symphony Mathis der Maler

Programme note

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Also available in the Biennale package

Kirill Petrenko stands at the conductor’s desk and conducts the Berliner Philharmoniker

Biennale of the Berliner Philharmoniker
Main Auditorium

Biennale Opening Concert

Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Olivier Messiaen, Sarah Nemtsov and Paul Hindemith

Olivier Messiaen
Les Offrandes oubliées

Sarah Nemtsov
Antlitz (premiere), commissioned by the Berliner Philharmoniker Foundation, commissioned by Berliner Philharmoniker Foundation, th eLucerne Festival and the Bayerische Staatsoper

Interval

Paul Hindemith
Symphony Mathis der Maler

Programme note

Read more

​Also available in the Biennale package

Kirill Petrenko stands at the conductor’s desk and conducts the Berliner Philharmoniker

Biennale of the Berliner Philharmoniker
Main Auditorium

Biennale Opening Concert

Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Olivier Messiaen, Sarah Nemtsov and Paul Hindemith

Olivier Messiaen
Les Offrandes oubliées

Sarah Nemtsov
Antlitz (premiere), commissioned by the Berliner Philharmoniker Foundation, commissioned by Berliner Philharmoniker Foundation, th eLucerne Festival and the Bayerische Staatsoper

Interval

Paul Hindemith
Symphony Mathis der Maler

Programme note

Also available in the Biennale package

A brick church with a tall green spire and arched windows stands in an open area, surrounded by trees and an empty parking lot under a clear blue sky.

Biennale of the Berliner Philharmoniker
St. Matthäus-Kirche

Late Night

Cornelia Gartemann violin
Harry Ward violin
Julia Gartemann viola
Solène Kermarrec cello

Joseph Haydn
The Seven Last Words of Christ (version for string quartet)

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A conductor speaks into a microphone on stage in front of an orchestra, whose musicians sit with their instruments and music stands during a formal concert performance.

Main Auditorium

Family Concert: “Mathis der Maler”

Berliner Philharmoniker
Kirill Petrenko conductor and co-presentation
Nelly Danker stage direction

Paul Hindemith
Symphony Mathis der Maler

Programme note

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Biennale of the Berliner Philharmoniker
Chamber Music Hall

At the invitation of the Berliner Philharmoniker

Jazz at Berlin Philharmonic

NDR Vokalensemble
Daniel García Trio:
Daniel García piano
Pablo Martín Caminero double bass
Borja Barrueta drums

Adam Bałdych Quintet:
Adam Bałdych violin and renaissance violin
Marek Konarski tenor saxophone
Sebastian Zawadzki piano
Andrzej Święs double bass
Dawid Fortuna drums

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Also available in the Biennale package

Ein modernes Betongebäude mit geometrischen Formen und großen Fenstern, an dessen Fassade ein Banner mit dem Thema Geige prangt. Auf der Straße davor parken und fahren Autos. In der Nähe gibt es Bäume und Grünflächen.

Biennale of the Berliner Philharmoniker
Museum of Musical Instruments

Masterclass Messiaen Vokal
Anne Le Bozec
Students of Berlin Academies of Music

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Ein modernes Betongebäude mit geometrischen Formen und großen Fenstern, an dessen Fassade ein Banner mit dem Thema Geige prangt. Auf der Straße davor parken und fahren Autos. In der Nähe gibt es Bäume und Grünflächen.

Biennale of the Berliner Philharmoniker
Museum of Musical Instruments

Masterclass Messiaen Vokal
Anne Le Bozec
Students of Berlin Academies of Music

Read more
A group of formally dressed musicians pose with their string and brass instruments on tiered platforms in a modern, wood-paneled room, smiling and looking at the camera.

Biennale of the Berliner Philharmoniker
Chamber Music Hall

Freiburger Barockorchester
Gottfried von der Goltz violin and direction

Works by
Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart
Symphony No. 39 in E flat major, K. 543

Wolfgang Amadeus Mozart
Symphony No. 40 in G minor, K. 550

Wolfgang Amadeus Mozart
Symphony No. 41 in C major, K. 551 “Jupiter”

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​Ticket sales through the Konzertdirektion Adler

Ein modernes Betongebäude mit geometrischen Formen und großen Fenstern, an dessen Fassade ein Banner mit dem Thema Geige prangt. Auf der Straße davor parken und fahren Autos. In der Nähe gibt es Bäume und Grünflächen.

Biennale of the Berliner Philharmoniker
Museum of Musical Instruments

Masterclass Messiaen Vokal
Anne Le Bozec
Students of Berlin Academies of Music

Read more
Ein modernes Betongebäude mit geometrischen Formen und großen Fenstern, an dessen Fassade ein Banner mit dem Thema Geige prangt. Auf der Straße davor parken und fahren Autos. In der Nähe gibt es Bäume und Grünflächen.

Biennale of the Berliner Philharmoniker
Museum of Musical Instruments

Masterclass Messiaen Vokal
Anne Le Bozec
Students of Berlin Academies of Music

Read more
Bertrand Chamayou in a white shirt and black pants sits backward on a red upholstered chair, looking to the side, in a dimly lit room with textured walls and dramatic blue-toned lighting.

Biennale of the Berliner Philharmoniker
Chamber Music Hall

At the invitation of the Berliner Philharmoniker

Piano recital

Bertrand Chamayou piano

Olivier Messiaen
Vingt regards sur lʼenfant-Jésus

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Also available in the Biennale package

Ein modernes Betongebäude mit geometrischen Formen und großen Fenstern, an dessen Fassade ein Banner mit dem Thema Geige prangt. Auf der Straße davor parken und fahren Autos. In der Nähe gibt es Bäume und Grünflächen.

Biennale of the Berliner Philharmoniker
Museum of Musical Instruments

Afternoon of lectures “Heaven in the Ear – Music and Religion”

Friederike Wißmann lecture
Wolfgang Rathert lecture
Dorothee Bauer lecture

Friederike Wißmann
“Children! Create something new! Something new, and yet again something new!” – Wagner’s religion of art as a creation myth

Wolfgang Rathert
“Now it is time for you to appear” – Paul Hindemith’s sacred music between mysticism and apocalypse

Dorothee Bauer
Birdsong, Hindu rhythms, Gregorian melodies: the tone colours of eternity in the music of Olivier Messiaen

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Ein modernes Betongebäude mit geometrischen Formen und großen Fenstern, an dessen Fassade ein Banner mit dem Thema Geige prangt. Auf der Straße davor parken und fahren Autos. In der Nähe gibt es Bäume und Grünflächen.

Biennale of the Berliner Philharmoniker
Museum of Musical Instruments

Final concert

Masterclass Messiaen Vokal
Anne Le Bozec
Students of Berlin Academies of Music

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Presenter Christiane Florin sits in the foyer of the Philharmonie Berlin and speaks into a microphone.

Biennale of the Berliner Philharmoniker
Chamber Music Hall Upper Foyer

Discourse at the Philharmonie

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A man with short hair is standing in front of a large window. He is wearing a black suit, has his hands in his trouser pockets and is looking into the camera.

Biennale of the Berliner Philharmoniker
Main Auditorium

Berliner Philharmoniker
François-Xavier Roth conductor
Véronique Gens soprano (Hélène)
Julien Behr tenor (Faust)
Jean-Sébastien Bou baritone (Méphistophélès)

Works by
Richard Strauss, Hector Berlioz and Lili Boulanger

Richard Strauss
Metamorphosen for 23 solo strings

Hector Berlioz
Roméo et Juliette, op. 17: Roméo seul

Hector Berlioz
Roméo et Juliette, op. 17: La Reine Mab, ou la Fée des Songes

Interval

Lili Boulanger
Faust et Hélène

Véronique Gens soprano, Julien Behr tenor, Jean-Sébastien Bou baritone

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Also available in the Biennale package

A man with short hair is standing in front of a large window. He is wearing a black suit, has his hands in his trouser pockets and is looking into the camera.

Biennale of the Berliner Philharmoniker
Main Auditorium

Berliner Philharmoniker
François-Xavier Roth conductor
Véronique Gens soprano (Hélène)
Julien Behr tenor (Faust)
Jean-Sébastien Bou baritone (Méphistophélès)

Works by
Richard Strauss, Hector Berlioz and Lili Boulanger

Richard Strauss
Metamorphosen for 23 solo strings

Hector Berlioz
Roméo et Juliette, op. 17: Roméo seul

Hector Berlioz
Roméo et Juliette, op. 17: La Reine Mab, ou la Fée des Songes

Interval

Lili Boulanger
Faust et Hélène

Véronique Gens soprano, Julien Behr tenor, Jean-Sébastien Bou baritone

Read more

Also available in the Biennale package

A man with short hair is standing in front of a large window. He is wearing a black suit, has his hands in his trouser pockets and is looking into the camera.

Biennale of the Berliner Philharmoniker
Main Auditorium

Berliner Philharmoniker
François-Xavier Roth conductor
Véronique Gens soprano (Hélène)
Julien Behr tenor (Faust)
Jean-Sébastien Bou baritone (Méphistophélès)

Works by
Richard Strauss, Hector Berlioz and Lili Boulanger

Richard Strauss
Metamorphosen for 23 solo strings

Hector Berlioz
Roméo et Juliette, op. 17: Roméo seul

Hector Berlioz
Roméo et Juliette, op. 17: La Reine Mab, ou la Fée des Songes

Interval

Lili Boulanger
Faust et Hélène

Véronique Gens soprano, Julien Behr tenor, Jean-Sébastien Bou baritone

Also available in the Biennale package

A brick church with a tall green spire and arched windows stands in an open area, surrounded by trees and an empty parking lot under a clear blue sky.

Biennale of the Berliner Philharmoniker
St. Matthäus-Kirche

Late Night

Heinali composition and sound art
Andriana-Yaroslava Saienko vocals

Hildegarda. Interpretations of works by Hildegard von Bingen for vocals and modular synthesizer

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Also available in the Biennale package

Biennale of the Berliner Philharmoniker
Main Auditorium

At the invitation of the Berliner Philharmoniker

Organ matinee

Wayne Marshall organ
Brass of the Karajan-Akademie der Berliner Philharmoniker

Works by
Felix Mendelssohn, Marcel Dupré, Sigfrid Karg-Elert, Gaston Litaize and Gustav Mahler

Felix Mendelssohn
Paulus, op. 36: Overture (arr. for brass and organ by Johannes M. Michel)

Marcel Dupré
1. Le Monde dans lʼattente du Sauveur

Sigfrid Karg-Elert
Choralimprovisationen, op. 65: No. 66 “Wunderbarer König” for organ, trumpets, trombones and timpani

Marcel Dupré
Symphonie-Passion for Organ, op. 23: 2nd Movement Nativité

Gaston Litaize
Cortège for organ and brass

Marcel Dupré
Symphonie-Passion for Organ, op. 23: 3rd Movement Crucifixion

Gustav Mahler
Des Knaben Wunderhorn: Urlicht (arr. for brass by Ben Mansted)

Marcel Dupré
Symphonie-Passion for Organ, op. 23: 4th Movement Résurrection

Felix Mendelssohn
Symphony No. 5 in D minor, op. 107 “Reformation”: Introduction, Chorale, Variations and Finale (arr. for brass and organ by Johannes M. Michel)

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Also available in the Biennale package

Harlem Gospel Singers in red robes performs on stage; one singer in front passionately sings with arm raised, while others stand behind with microphones.

Biennale of the Berliner Philharmoniker
Main Auditorium

At the invitation of the Berliner Philharmoniker

Harlem Gospel Singers

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Also available in the Biennale package

Six men in dark suits with musical instruments pose around a tree stump outdoors, while a man in white robes with raised arms stands behind them among tall trees in a sunlit, leafy setting.

Biennale of the Berliner Philharmoniker
Chamber Music Hall

At the invitation of the Berliner Philharmoniker

World

Jawa

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Also available in the Biennale package

Biennale of the Berliner Philharmoniker
Staatsbibliothek zu Berlin, Otto-Braun-Saal

Reading at the Berlin State Library

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Also available in the Biennale package

A symphony orchestra performs on a large, well-lit stage in a concert hall, with musicians and instruments reflected on a shiny surface below and an audience seated in the dimly lit background.

Biennale of the Berliner Philharmoniker
Main Auditorium

Rundfunk-Sinfonieorchester Berlin
Vladimir Jurowski conductor

Works by
Bernd Alois Zimmermann and Anton Bruckner

Bernd Alois Zimmermann
Silence and Revearsal

Anton Bruckner
Symphony No. 9 in D minor

Programme note

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​Ticket sales through the Rundfunk-Sinfonieorchester Berlin

A large symphony orchestra poses with their instruments onstage in an ornate concert hall, under warm lighting, with empty audience seats visible in the background.

Biennale of the Berliner Philharmoniker
Main Auditorium

Symphoniker Hamburg
Steven Sloane conductor
Azi Schwartz tenor
Eric Owens baritone
The Moran Choirs
Moran Children Choir
Moran Singers

Works by
Felix Mendelssohn and Noam Sheriff

Felix Mendelssohn
Symphony No. 5 in D minor, op. 107 “Reformation”

Noam Sheriff
Mechaye Hametim (Revival of the Dead), Symphony for soli, mixed choir and orchestra

Moran Singers, Azi Schwartz tenor, Eric Owens baritone, The Moran Choirs, Moran Children Choir

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Ticket sales through CLSX.de – Partner für Musik gUG

Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Biennale of the Berliner Philharmoniker
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Golda Schultz soprano
Wiebke Lehmkuhl contralto
Sebastian Kohlhepp tenor
David Steffens bass
Rundfunkchor Berlin

Ludwig van Beethoven
Missa solemnis in D major, op. 123

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Also available in the Biennale package

Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Biennale of the Berliner Philharmoniker
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Golda Schultz soprano
Wiebke Lehmkuhl contralto
Sebastian Kohlhepp tenor
David Steffens bass
Rundfunkchor Berlin

Ludwig van Beethoven
Missa solemnis in D major, op. 123

Read more

Also available in the Biennale package

Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Biennale of the Berliner Philharmoniker
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Golda Schultz soprano
Wiebke Lehmkuhl contralto
Sebastian Kohlhepp tenor
David Steffens bass
Rundfunkchor Berlin

Ludwig van Beethoven
Missa solemnis in D major, op. 123

Also available in the Biennale package

The Biennale’s exhibition

Sustainability, climate change, the beauty of the cosmos are the themes of these exhibitions

Background & Stories

What does nature sound like in music?

Whether raging storms, shimmering waves, or gentle raindrops – for centuries, composers have drawn inspiration from nature. But how can the sounds of nature be brought to life in an orchestra?

A close-up of a young green fern frond curled up, beginning to unfurl against a softly blurred green background. The spiral shape and delicate texture of the leaves are clearly visible.

Nature and music

Composers of all ages have been inspired by nature to write magnificent works: only their aesthetic outlook and their individual approach have changed with the passage of time. Here is a brief survey of this subject

Marin Alsop leaning against a wall
Marin Alsop | Picture:Adriane White

“Is what we’re doing enough?”

Marin Alsop, making her debut with the Berliner Philharmoniker, will present four depictions of nature from four different continents at the Biennale “Paradise lost?”.

Dalia Stasevska | Picture:Veikko Kähkönen

From the far north to the wider world

The Finnish musician Dalia Stasevska is one of the most promising members of the younger generation of female conductors.

Antje Boetius | Picture:Arc Watch / Esther Horvath

Antje Boetius in conversation

Marine biologist Antje Boetius will join a discussion at the Philharmonie as part of this year’s Biennale, “Paradise Lost?”. In our interview, she talks about the role that climate change will continue to play in society, and whether we will ever truly learn to see the ocean as a gigantic habitat.

A flower crown made of white, purple, and yellow flowers lies on green grass, surrounded by small leaves and a few scattered yellow flowers.

The idyll in music

In music and art, the idyll symbolizes a better world, idealistic and yet fragile. Find out here how the idyll came into the music and what purpose it serves.

Outi Tarkiainen | Picture:Anu Jormalainen

“I walked in the forest and come back with a song”

On the occasion of the premiere of her new piece “Day Night Day” Outi Tarkiainen talks about why she became a composer and how nature informs her music.