Biennale “Signs & Wonders”Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin

A symphony orchestra performs on a large, well-lit stage in a concert hall, with musicians and instruments reflected on a shiny surface below and an audience seated in the dimly lit background.
Rundfunk Sinfonieorchester | Picture: Peter Meisel

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Biennale of the Berliner Philharmoniker


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Two works from the final phase of their composers’ lives which, within the framework of the Biennale Signs & Wonders, explore questions of faith, doubt and what lies beyond the end.

Bernd Alois Zimmermann’s Stille und Umkehr was written in 1970, four months before he took his own life. This short orchestral work is spare in texture and, alongside the usual complement of strings and wind instruments, calls for hammered dulcimer, accordion and musical saw. At its centre is a single pitch: the note D. It is from this same note that Bruckner’s Ninth Symphony begins. The symphony’s finale remained unfinished; the Adagio, lasting around half an hour, is the last complete movement Bruckner left behind.


Artists

Rundfunk-Sinfonieorchester Berlin
Vladimir Jurowski conductor


Programme

Bernd Alois Zimmermann
Silence and Revearsal

Anton Bruckner
Symphony No. 9 in D minor


Dates and tickets


Main Auditorium

Introduction
19:10
with Steffen Georgi

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