Biennale “Signs & Wonders”The Freiburger Barockorchester play Mozart’s three last symphonies

A group of formally dressed musicians pose with their string and brass instruments on tiered platforms in a modern, wood-paneled room, smiling and looking at the camera.
Freiburger Barockorchester | Picture: Gulliver Theis

Concert information

Biennale of the Berliner Philharmoniker


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Info

A sense of mystery surrounds Wolfgang Amadeus Mozart’s last three symphonies. Why were they composed? Were they really – as some musicologists have suggested – Mozart’s “symphonic legacy”, written with an awareness of his own mortality? Whatever the circumstances of their composition, one thing is certain: each of these symphonies is an astonishing achievement, and possesses a distinctive musical personality – from the forward-looking E-flat major symphony and the turbulent G minor symphony to the “Jupiter” symphony, with its irrepressible energy. As part of the Signs & Wonders Biennale, the Freiburger Barockorchester explores the enduring fascination of these remarkable works.


Artists

Freiburger Barockorchester
Gottfried von der Goltz violin and direction


Programme

Wolfgang Amadeus Mozart
Symphony No. 39 in E flat major, K. 543

Wolfgang Amadeus Mozart
Symphony No. 40 in G minor, K. 550

Wolfgang Amadeus Mozart
Symphony No. 41 in C major, K. 551 “Jupiter”


Dates and tickets


Chamber Music Hall

​Ticket sales through the Konzertdirektion Adler

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