Series Q

Included: six concerts
Prices: 90 to 156 €

The great works of classical music are celebrated in concert halls around the world. This makes it all the easier to forget that many of them were highly controversial in their time. The season focus Kontrovers! (Controversial!) explores the strikingly different concepts various composers brought to the table. Our series, performed by ensembles of the Berliner Philharmoniker, offers a chamber music perspective on these artistic rivalries.

Ever since the film Amadeus, Wolfgang Amadeus Mozart and Antonio Salieri have been regarded as the most famous adversaries in music history. The film’s master stroke is its portrayal of Salieri as a composer tormented by Mozart’s genius, while simultaneously enjoying greater public success. A programme dedicated to this rivalry features Mozart’s Horn Quintet, a rarely heard gem.

It is a curious case: Brahms and Bruckner were both devoted to the late-Romantic symphony – yet they stood in stark opposition to each other. Here, they meet in works for string quintet. Falling into obscurity was a real risk for those who refused to take sides in the bitterly divided musical landscape of the time, as illustrated by the fate of Joachim Raff, almost forgotten today. His Sinfonietta for Winds, with its exquisite melodies, is a fascinating discovery.

Another work by Brahms sheds light on the Parisian music scene, where French composers at the turn of the 20th century struggled to assert themselves against the dominance of German repertoire. It was only with the rise of young talents like Maurice Ravel that a powerful counter-movement emerged.

Conflicts also shaped the modern music scene. Dmitri Shostakovich, a master of unfiltered expressivity, dismissed Arnold Schoenberg’s twelve-tone technique as “narrow-minded dogmatism.” Two concerts in the series highlight not only the stark differences in their musical languages, but also a surprising similarity: both composers wrote personal, biographically influenced music. Schoenberg’s String Trio, inspired by a near-death experience, and Shostakovich’s Eighth String Quartet, reflecting on war and Stalinism, offer striking examples of this shared introspective approach.

The image shows four smiling musicians with their string instruments: two violins, a viola, and a cello. They sit or stand relaxed in a bright room, with a bust hanging on the wall behind them.

Chamber Music Hall

Berliner Philharmoniker Ensembles

Brahms Ensemble Berlin:
Rachel Schmidt violin
Raimar Orlovsky violin
Diyang Mei viola
Julia Gartemann viola
Uladzimir Sinkevich cello

Works by
Felix Mendelssohn, Anton Bruckner and Johannes Brahms

Felix Mendelssohn
String Quintet No. 2 in B flat major, op. 87

Interval

Anton Bruckner
Intermezzo in D minor

Johannes Brahms
String Quintet No. 2 in G major, op. 111

Three musicians pose on a wooden stage. One holds a violin, another a cello, while the third stands beside them. In the background, a piano and empty seats can be seen, creating a relaxed concert atmosphere.

Chamber Music Hall

Berliner Philharmoniker Ensembles

Pangaea Trio Berlin:
Marlene Ito violin
Uladzimir Sinkevich cello
Yannick Rafalimanana piano

Angelo de Leo violin
Amihai Grosz viola

Works by
Dmitri Shostakovich, Maurice Ravel and Johannes Brahms

Dmitri Shostakovich
Piano Trio No. 1 in C minor, op. 8

Maurice Ravel
Piano Trio in A minor

Interval

Johannes Brahms
Piano Quintet in F minor, op. 34

Angelo de Leo violin, Amihai Grosz viola

Chamber Music Hall

Berliner Philharmoniker Ensembles

Johanna Pichlmair violin
Eva Rabchevska violin
Tobias Reifland viola
Kyoungmin Park viola
Moritz Karl Huemer cello
László Gál french horn

Works by
Wolfgang Amadeus Mozart and Antonio Salieri

Wolfgang Amadeus Mozart
Adagio and Fugue in C minor, K. 546

Eva Rabchevska violin

Antonio Salieri
Four Scherzi strumentali di stile fugato for string quartet

Eva Rabchevska violin

Wolfgang Amadeus Mozart
Horn Quintet in E flat major, K. 407

Kyoungmin Park viola, László Gál french horn

Antonio Salieri
Fugue for String Quartet

Eva Rabchevska violin

Wolfgang Amadeus Mozart
String Quintet No. 3 in C major, K. 515

Eva Rabchevska violin, Kyoungmin Park viola

Four male musicians stand in tails, some in white shirts on white pillars. They are holding their instruments, two violins, a viola and a cello.

Chamber Music Hall

Varian Fry Quartett:
Philipp Bohnen violin
Christoph von der Nahmer violin
Martin von der Nahmer viola
Knut Weber cello

Anna Prohaska soprano

Works by
Wolfgang Amadeus Mozart, Dmitri Shostakovich and Arnold Schoenberg

Wolfgang Amadeus Mozart
Fugues for four voices from Bach’s Well-tempered clavier, Part 2, K. 405

Dmitri Shostakovich
String Quartet No. 8 in C minor, op. 110

Interval

Arnold Schoenberg
String Quartet No. 2 in F sharp minor with solo soprano, op. 10

Anna Prohaska soprano

Five men in black suits holding wind instruments stand among empty auditorium seats, posing for a group photo in a bright, elegant concert hall with blue and gold accents.

Chamber Music Hall

Ensemble Wien-Berlin:
Karl-Heinz Schütz flute
Jonathan Kelly oboe
Gerald Pachinger clarinet
Richard Galler bassoon
Stefan Dohr french horn

Members of the Berliner Philharmoniker
Jelka Weber flute
Christoph Hartmann oboe
Andraž Golob clarinet
Václav Vonášek bassoon
Paula Ernesaks french horn

Works by
Wolfgang Amadeus Mozart, Luciano Berio, Vinko Globokar and Joachim Raff

Wolfgang Amadeus Mozart
Serenade in C minor, K. 388 “Nacht Musique”

Christoph Hartmann oboe, Andraž Golob clarinet, Václav Vonášek bassoon, Paula Ernesaks french horn

Luciano Berio
Opus Number Zoo (Version for Wind Quintet)

Ensemble Wien-Berlin

Interval

Vinko Globokar
Avgustin, dober je vin

Ensemble Wien-Berlin

Joachim Raff
Sinfonietta, op. 188

Ensemble Wien-Berlin, Members of the Berliner Philharmoniker, Jelka Weber flute, Christoph Hartmann oboe, Václav Vonášek bassoon, Paula Ernesaks french horn

Chamber Music Hall
Price category Block/row Price
1
A D E
156 €
2
B C F

Wheelchair positions 1

90 €