A group of thirteen musicians holding string instruments stands on a wooden concert stage, posing and smiling for a photo. Several empty chairs and music stands are visible in the background.
Picture: Irene Zandel

Concert information


Info

Early music in the sound world of the Berliner Philharmoniker – that has been the hallmark of the Berliner Barock Solisten for 30 years. The ensemble celebrates its anniversary with a festive concert and outstanding soloists. Joining trumpeter Reinhold Friedrich are two members of the Philharmoniker: principal oboist Albrecht Mayer and principal violist Diyang Mei. The programme features everything that makes Baroque orchestral music so captivating: brilliant virtuosity, touching melodies, and the elegant dialogue between instruments. The latter is showcased especially vividly in the Second Brandenburg Concerto by Johann Sebastian Bach.


Artists

Berliner Barock Solisten
Gottfried von der Goltz violin and direction
Diyang Mei viola
Dorothee Oberlinger recorder
Albrecht Mayer oboe
Reinhold Friedrich trumpet


Programme

Georg Philipp Telemann
Ouvertüre c-Moll TWV 55:c4

Georg Philipp Telemann
Konzert D-Dur für Trompete, Streicher und Gb TWV 51:D7

Reinhold Friedrich trumpet

Georg Philipp Telemann
Konzert d-Moll für Oboe, Streicher und Gb TWV 51:d2

Albrecht Mayer oboe

Johann Sebastian Bach
Brandenburg Concerto No. 3 in G major, BWV 1048

Interval

Georg Philipp Telemann
Konzert für drei Violinen, Streicher und Basso continuo F-Dur TWV 53:F1

Georg Philipp Telemann
Konzert G-Dur für Viola da braccio, Streicher und Gb TWV 51:G9

Diyang Mei viola

Johann Sebastian Bach
Brandenburg Concerto No. 2 in F major, BWV 1047


Additional information

Duration ca. 2 hours (incl. 20 minutes interval)



Chamber Music Hall

37 to 75 €

Introduction
14:45

Series R: Originalklang

Jordi Savall, with grey hair and a green patterned shirt, holds a wooden stringed instrument in his hand. He is standing on a dimly lit stage. Sheet music and a music stand can be seen in the foreground.
Jordi Savall | Picture: Herve Pouyfourcat

Playful Baroque
30 years with the Berliner Barock Solisten 

Eight people sit on chairs in an outdoor setting with trees and a building in the background. The image is overlaid with colorful, semi-transparent geometric shapes.
The Berliner Barock Solisten | Picture: Irène Zandel

One of the best-known chamber formations drawn from the ranks of the Berliner Philharmoniker, the Berliner Barock Solisten's success owes much to the ensemble's ability to combine early music with the style of playing that is invariably associated with the orchestra. The group now celebrates the thirtieth anniversary of its formation. Here we speak to the violinist Raimar Orlovsky, who is the ensemble’s organizer and manager.


In matters large and small
The Chamber Music tradition of the Berliner Philharmoniker 

Blue concentric circles radiate outward on a light blue background, resembling ripples in water or a topographic map. The image has a soft, abstract, and watercolor-like quality.
From the series Philharmonic Prints | Picture: Scholz & Friends Berlin

Chamber music means engaging in a dialogue between equals and creating a shared artistic identity as a group. Naturally, the musicians of the Berliner Philharmoniker are passionate about this art form. Violist Julia Gartemann and cellist Knut Weber talk about their experiences.


Biography

Gottfried von der Goltz

Gottfried von der Goltz, who studied, among other places, at the Juilliard School in New York and with Rainer Kussmaul at the Freiburg University of Music, became a member of the NDR Symphony Orchestra in Hamburg at the age of just 21. In 1987, together with like-minded colleagues, the violinist founded the Freiburger Barockorchester (FBO), of which he remains the artistic director to this day.

He has earned a reputation as a specialist, particularly through his recordings of the long-neglected music of the Dresden Baroque and of the four Bach sons. In addition to his work with the FBO, he appears as a soloist and guest conductor with ensembles such as the Berliner Barock Solisten and the Tafelmusik Baroque Orchestra. He also holds a professorship for Baroque and modern violin at the Freiburg University of Music.


Diyang Mei

Diyang Mei began playing the violin at the age of five in Beijing and switched to the viola at ten. In 2014, he continued his studies in Germany – first in Munich, with Hariolf Schlichtig, and later with Nobuko Imai at the Kronberg Academy. In addition to numerous first prizes at prestigious competitions, Diyang Mei won the ARD International Music Competition in 2018.

The following year he became principal violist of the Munich Philharmonic, and since 2022 he has been first principal violist of the Berliner Philharmoniker. As a soloist he performs with ensembles such as the Bavarian Radio Symphony Orchestra, the Konzerthausorchester Berlin and the Shanghai Symphony Orchestra. His chamber music partners include András Schiff, Ana Chumachenco, Sabine Meyer and Christoph Prégardien.

Dorothee Oberlinger

Dorothee Oberlinger studied recorder in Amsterdam, Milan and other centres. In 1997 she won first prize at the Moeck Competition in London, marking the beginning of her international career. In addition to her specialisation  in Baroque repertoire, she is accomplished in the field of contemporary music.

Since 2004 she has held a professorship at the Mozarteum University Salzburg, where she directed the Institute for Early Music from 2008 to 2018, developing it into an internationally-recognised centre for historical performance practice. Dorothee Oberlinger is also active as a conductor and as the artistic director of the Potsdam Sanssouci Music Festival and the Bad Arolsen Baroque Festival. In 2002 she founded Ensemble 1700, with which she focuses primarily on European Baroque music of the 17th and 18th centuries.


Albrecht Mayer 

Albrecht Mayer studied with Gerhard Scheuer, Georg Meerwein, Ingo Goritzki and Maurice Bourgue, and in his youth played in the European Community Youth Orchestra. In 1990, the musician — who has received numerous awards — became principal oboist of the Bamberg Symphony, and two years later moved to the Berliner Philharmoniker in the same position.

Today, Albrecht Mayer is regarded as one of the most sought-after oboists of our time. As a soloist he has collaborated with conductors such as Claudio Abbado, Nikolaus Harnoncourt and Sir Simon Rattle, and as a chamber musician with artists including Hélène Grimaud, Leif Ove Andsnes and Thomas Quasthoff. In 2012 he founded his own ensemble, New Seasons, and he is also active as a teacher.

Reinhold Friedrich

Reinhold Friedrich studied at the Schola Cantorum Basiliensis with Edward Hankins Tarr and at the Conservatoire Supérieur de Musique in Paris with Pierre Thibaud, among others. In 1983 he became principal trumpeter of the Frankfurt Radio Symphony Orchestra. Following his success at the ARD International Music Competition in 1986, he has appeared on all major stages worldwide, performing on both modern and historical trumpets.

In 2003, Claudio Abbado appointed him permanent principal trumpeter of the Lucerne Festival Orchestra, and he also serves as artistic director of the Lucerne Festival Orchestra Brass Ensemble. Reinhold Friedrich is professor of trumpet at the Karlsruhe University of Music, gives masterclasses throughout the world, and holds honorary professorships at renowned institutions in London, Helsinki, Madrid and Hiroshima.