Italy: the land of opera, passion and impossible beauty. A place where, if cliché is to be believed, even the taxi driver on the way to the theatre might break into song. That music is what tonight’s traditional Waldbühne concert is all about.
Ominous trumpet calls open Verdi’s La forza del destino. The arias that follow are filled with love, jealousy, honour and revenge, propelled by improbable twists of fate and ending either in happiness or catastrophe. Together, they offer a panorama of Italian opera at its most emotionally direct, where recognisably human passions drive the action and everyday experience increasingly moved to the centre of the stage. In Leoncavallo’s Pagliacci, for example, the boundary between theatre and reality proves fatal.
Each half of the concert concludes with Ottorino Respighi, whose special talent was transforming the world around him into orchestral sound. He achieved international fame with a trilogy of orchestral works that depict the fountains, pine groves and festivals of his native Rome in all the colours of a vast symphony orchestra. Ah, Italy.
Ruggero Leoncavallo
Pagliacci: “Si, può?”, Prologue of Tonio
Jonas Kaufmann tenor
Ruggero Leoncavallo
Pagliacci: “Recitar ... Vesti la giubba”, Aria of Canio
Jonas Kaufmann tenor
Giuseppe Verdi
La forza del destino: Overture
Ottorino Respighi
Fontane di Roma
Interval
Francesco Cilèa
L’Arlesiana: “È la solita storia”, Aria of Frederico
Jonas Kaufmann tenor
Umberto Giordano
Fedora: “Amor ti vieta”, Aria of Loris
Jonas Kaufmann tenor
Ottorino Respighi
Pini di Roma
Please note the organisational information provided by the concert organiser concert conxept.
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