Kirill Petrenko energetically conducts the orchestra. He holds a baton and gestures with his other hand, surrounded by musicians playing various string instruments.

Symphonies
Brahms 1 · Skrjabin 3
Beethoven 2 · Mahler 8

Opera / Ballett
Wagner: Das Rheingold
Stravinsky: Pulcinella · Petruschka
Bartók: The Miraculous Mandarin

Discoveries
Dusapin: Exeo
Zimmermann: Oboe concerto
Janáček: Lachian Dances

Soloists
Janine Jansen
Benjamin Bernheim
Jonas Kaufmann

Kirill Petrenko | Picture: Stephan Rabold

Mahler’s “Symphony of a Thousand” is a colossus – not just musically, but also in terms of its ideas and conception. Mahler described it as “like the whole universe starting to ring and reverberate”. Chief conductor Kirill Petrenko is also embarking on another large-scale musical project: with Wagner’s Das Rheingold, he will lay the foundations for a complete performance of Der Ring des Nibelungen. Stories told through the medium of music are generally at the heart of his work, also illustrated this season through the ballet music of Stravinsky, Bartók, and Tchaikovsky’s Romeo and Juliet. The core of the orchestra’s repertoire is represented by music by Brahms and Beethoven.

The range of works that Kirill Petrenko will be conducting at his concerts with the Berliner Philharmoniker in 2025/26 is vast, extending from Viennese Classicism to the music of the twenty-first century, from a solo concerto to a ballet suite and from a German music drama to Italian opera arias. As the orchestra’s chief conductor, he will also be advancing further into the areas that he has been gradually opening up since he and the orchestra embarked on their journey together. He views the music of German and Austrian Classical and Romantic composers as part of the orchestra’s DNA, forming the core of their repertoire. In the new season, this tradition will be represented by works such as Beethoven’s Second Symphony, Brahms’s First and Mahler’s “Symphony of a Thousand”, a work that is an oratorio which also marks the culmination of the symphony’s development as a genre.

A second aspect of Kirill Petrenko’s repertoire choices is the world of Slavic culture: this is music that has always been close to his heart. Czech music can be heard in  Leoš Janáček's exhilarating Lachian Dances, Russian music in Tchaikovsky’s Rococo Variations and Romeo and Juliet as well as in Stravinsky’s Petrushka and Pulcinella and by Scriabin’s Third Symphony, also known as Le divin poème. But Kirill Petrenko is also interested in composers who have been unjustly neglected as a result of war or political circumstances. They include Bernd Alois Zimmermann, whose exuberant early Oboe Concerto he will conduct, with Albrecht Mayer as the soloist. Recent music will be represented by Pascal Dusapin’s Exeo, the title that the French composer has given to his Fifth Solo for Orchestra, which Kirill Petrenko describes as “both powerful and wonderfully beautiful”.

In all of the works he conducts, Kirill Petrenko finds a unifying motivation: “Every work of music has a message that relates it to the outside world,” he explains. This is true not only of symphonic poems that have a clearly stated programme, but also of symphonies that may initially appear to be examples of “absolute music”. During the 2025/26 season Kirill Petrenko, will conduct many works with an underlying narrative. These include not only  ballets by Stravinsky and Tchaikovsky’s overture-fantasy Romeo and Juliet (mentioned above), but also the Suite from Béla Bartók’s The Miraculous Mandarin, alongside Ottorino Respighi's musical portraits of the pines and famous fountains of Rome. With Das Rheingold, which Wagner himself called the “preliminary evening” of his Ring cycle, Kirill Petrenko and his orchestra will celebrate their return to the Salzburg Easter Festival, while also continuing a much-loved tradition by bringing a concert performance of the work home to the ideal acoustics of Berlin's Philharmonie.

Kirill Petrenko stands in front of the orchestra and raises both arms upwards in a grand gesture. He is wearing a black suit. Musicians can be seen from behind in the foreground.

Main Auditorium

Season opening

Berliner Philharmoniker
Kirill Petrenko conductor
Albrecht Mayer oboe

Works by
Robert Schumann, Bernd Alois Zimmermann and Johannes Brahms

Robert Schumann
Manfred Overture, op. 115

Bernd Alois Zimmermann
Concerto for Oboe and Small Orchestra

Albrecht Mayer oboe

Interval

Johannes Brahms
Symphony No. 1 in C minor, op. 68

Kirill Petrenko in a black suit passionately conducts the orchestra. He holds a baton in his hand against a dark background. In front of him is a music stand with sheet music.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Albrecht Mayer oboe

Works by
Pascal Dusapin, Bernd Alois Zimmermann and Johannes Brahms

Pascal Dusapin
Exeo, Solo No. 5 for orchestra

Bernd Alois Zimmermann
Concerto for Oboe and Small Orchestra

Albrecht Mayer oboe

Interval

Johannes Brahms
Symphony No. 1 in C minor, op. 68

Read more
Kirill Petrenko in a black suit passionately conducts the orchestra. He holds a baton in his hand against a dark background. In front of him is a music stand with sheet music.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Albrecht Mayer oboe

Works by
Pascal Dusapin, Bernd Alois Zimmermann and Johannes Brahms

Pascal Dusapin
Exeo, Solo No. 5 for orchestra

Bernd Alois Zimmermann
Concerto for Oboe and Small Orchestra

Albrecht Mayer oboe

Interval

Johannes Brahms
Symphony No. 1 in C minor, op. 68

Read more
Kirill Petrenko in a black suit passionately conducts the orchestra. He holds a baton in his hand against a dark background. In front of him is a music stand with sheet music.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Albrecht Mayer oboe

Works by
Pascal Dusapin, Bernd Alois Zimmermann and Johannes Brahms

Pascal Dusapin
Exeo, Solo No. 5 for orchestra

Bernd Alois Zimmermann
Concerto for Oboe and Small Orchestra

Albrecht Mayer oboe

Interval

Johannes Brahms
Symphony No. 1 in C minor, op. 68

Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Leoš Janáček, Béla Bartók and Igor Stravinsky

Leoš Janáček
Lašské tance (Lachian Dances)

Béla Bartók
The Miraculous Mandarin, Suite, Sz 73

Interval

Igor Stravinsky
Petrushka (Version from 1947)

Read more
Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Leoš Janáček, Béla Bartók and Igor Stravinsky

Leoš Janáček
Lašské tance (Lachian Dances)

Béla Bartók
The Miraculous Mandarin, Suite, Sz 73

Interval

Igor Stravinsky
Petrushka (Version from 1947)

Read more
Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Leoš Janáček, Béla Bartók and Igor Stravinsky

Leoš Janáček
Lašské tance (Lachian Dances)

Béla Bartók
The Miraculous Mandarin, Suite, Sz 73

Interval

Igor Stravinsky
Petrushka (Version from 1947)

Kirill Petrenko energetically conducts the orchestra. He holds a baton and gestures with his other hand, surrounded by musicians playing various string instruments.

Main Auditorium

New Year’s Eve Concert

Berliner Philharmoniker
Kirill Petrenko conductor
Benjamin Bernheim tenor

Works by

Works by Peter Tschaikowsky, Charles Gounod, Georges Bizet, Jules Massenet, Emmanuel Chabrier and George Gershwin

Piotr Tchaikovsky
Eugen Onegin, op. 24: Polonaise

Piotr Tchaikovsky
Eugene Onegin, op. 24: Introduction, Scene and Lensky’s Aria from Act 2
Benjamin Bernheim tenor

Charles Gounod
Roméo et Juliette: “L’amour!”, Cavatina of Romeo from Act 2
Benjamin Bernheim tenor

Piotr Tchaikovsky
Romeo and Juliet, Fantasy Overture after Shakespeare

Interval (not on 31.12.2025)

Georges Bizet
Carmen: Ouvertüre. Allegro giocoso

Georges Bizet
Carmen: “La fleur que tu m'avais jetée”. Aria by Don José from Act 2
Benjamin Bernheim tenor

Georges Bizet
L'Arlésienne. Suite No. 2 for orchestra – No. 4 Farandole

Jules Massenet
Werther: Prelude to Act 1

Jules Massenet
Werther: “Pourquoi me reveiller”, Aria of Werther from Act 3
Benjamin Bernheim tenor

Emmanuel Chabrier
España, Rhapsody for orchestra

George Gershwin
Cuban Overture

Read more
Kirill Petrenko energetically conducts the orchestra. He holds a baton and gestures with his other hand, surrounded by musicians playing various string instruments.

Main Auditorium

New Year’s Eve Concert

Berliner Philharmoniker
Kirill Petrenko conductor
Benjamin Bernheim tenor

Works by

Works by Peter Tschaikowsky, Charles Gounod, Georges Bizet, Jules Massenet, Emmanuel Chabrier and George Gershwin

Piotr Tchaikovsky
Eugen Onegin, op. 24: Polonaise

Piotr Tchaikovsky
Eugene Onegin, op. 24: Introduction, Scene and Lensky’s Aria from Act 2
Benjamin Bernheim tenor

Charles Gounod
Roméo et Juliette: “L’amour!”, Cavatina of Romeo from Act 2
Benjamin Bernheim tenor

Piotr Tchaikovsky
Romeo and Juliet, Fantasy Overture after Shakespeare

Interval (not on 31.12.2025)

Georges Bizet
Carmen: Ouvertüre. Allegro giocoso

Georges Bizet
Carmen: “La fleur que tu m'avais jetée”. Aria by Don José from Act 2
Benjamin Bernheim tenor

Georges Bizet
L'Arlésienne. Suite No. 2 for orchestra – No. 4 Farandole

Jules Massenet
Werther: Prelude to Act 1

Jules Massenet
Werther: “Pourquoi me reveiller”, Aria of Werther from Act 3
Benjamin Bernheim tenor

Emmanuel Chabrier
España, Rhapsody for orchestra

George Gershwin
Cuban Overture

Read more
Kirill Petrenko energetically conducts the orchestra. He holds a baton and gestures with his other hand, surrounded by musicians playing various string instruments.

Main Auditorium

New Year’s Eve Concert

Berliner Philharmoniker
Kirill Petrenko conductor
Benjamin Bernheim tenor

Works by

Works by Peter Tschaikowsky, Charles Gounod, Georges Bizet, Jules Massenet, Emmanuel Chabrier and George Gershwin

Piotr Tchaikovsky
Eugen Onegin, op. 24: Polonaise

Piotr Tchaikovsky
Eugene Onegin, op. 24: Introduction, Scene and Lensky’s Aria from Act 2
Benjamin Bernheim tenor

Charles Gounod
Roméo et Juliette: “L’amour!”, Cavatina of Romeo from Act 2
Benjamin Bernheim tenor

Piotr Tchaikovsky
Romeo and Juliet, Fantasy Overture after Shakespeare

Interval (not on 31.12.2025)

Georges Bizet
Carmen: Ouvertüre. Allegro giocoso

Georges Bizet
Carmen: “La fleur que tu m'avais jetée”. Aria by Don José from Act 2
Benjamin Bernheim tenor

Georges Bizet
L'Arlésienne. Suite No. 2 for orchestra – No. 4 Farandole

Jules Massenet
Werther: Prelude to Act 1

Jules Massenet
Werther: “Pourquoi me reveiller”, Aria of Werther from Act 3
Benjamin Bernheim tenor

Emmanuel Chabrier
España, Rhapsody for orchestra

George Gershwin
Cuban Overture

The image shows Kirill Petrenko conducting an orchestra. With an expressive gesture, he holds a baton and leads the musicians, who are seated with sheet music in front of them. In the background, the audience sits and watches the performance.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Jacquelyn Wagner soprano (Magna peccatrix)
Golda Schultz soprano (Una poenitentium)
Jasmin Delfs soprano (Mater gloriosa)
Beth Taylor contralto (Mulier samaritana)
Fleur Barron mezzo-soprano (Maria Aegyptiaca)
Benjamin Bruns tenor (Doctor Marianus)
Gihoon Kim baritone (Pater ecstaticus)
Le Bu bass (Pater profundus)
Rundfunkchor Berlin
Knaben des Staats- Boys of the Berlin State and Cathedral Choir
Bachchor Salzburg

Gustav Mahler
Symphony No. 8 “Symphony of a Thousand”

Read more
The image shows Kirill Petrenko conducting an orchestra. With an expressive gesture, he holds a baton and leads the musicians, who are seated with sheet music in front of them. In the background, the audience sits and watches the performance.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Jacquelyn Wagner soprano (Magna peccatrix)
Golda Schultz soprano (Una poenitentium)
Jasmin Delfs soprano (Mater gloriosa)
Beth Taylor contralto (Mulier samaritana)
Fleur Barron mezzo-soprano (Maria Aegyptiaca)
Benjamin Bruns tenor (Doctor Marianus)
Gihoon Kim baritone (Pater ecstaticus)
Le Bu bass (Pater profundus)
Rundfunkchor Berlin
Knaben des Staats- Boys of the Berlin State and Cathedral Choir
Bachchor Salzburg

Gustav Mahler
Symphony No. 8 “Symphony of a Thousand”

Janine Jansen is sitting on a chair, a violin in her hands. She is wearing jeans and a light blue blouse and looks into the camera with a smile.

Artist in Residence
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Janine Jansen violin

Works by
Johannes Brahms and Alexander Scriabin

Johannes Brahms
Concerto for Violin and Orchestra in D major, op. 77

Janine Jansen violin

Interval

Alexander Scriabin
Symphony No. 3 in C minor op. 43

Read more
Janine Jansen is sitting on a chair, a violin in her hands. She is wearing jeans and a light blue blouse and looks into the camera with a smile.

Artist in Residence
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Janine Jansen violin

Works by
Johannes Brahms and Alexander Scriabin

Johannes Brahms
Concerto for Violin and Orchestra in D major, op. 77

Janine Jansen violin

Interval

Alexander Scriabin
Symphony No. 3 in C minor op. 43

Read more
Janine Jansen is sitting on a chair, a violin in her hands. She is wearing jeans and a light blue blouse and looks into the camera with a smile.

Artist in Residence
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Janine Jansen violin

Works by
Johannes Brahms and Alexander Scriabin

Johannes Brahms
Concerto for Violin and Orchestra in D major, op. 77

Janine Jansen violin

Interval

Alexander Scriabin
Symphony No. 3 in C minor op. 43

Kirill Petrenko in a black suit conducts the orchestra with a baton. He stands in front of a music stand against a black background.

On tour
Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Christian Gerhaher baritone (Wotan)
Gihoon Kim baritone (Donner)
Thomas Atkins tenor (Froh)
Brenton Ryan tenor (Loge)
Leigh Melrose baritone (Alberich)
Thomas Cilluffo tenor (Mime)
Patrick Guetti bass (Fafner)
Le Bu bass-baritone (Fasolt)
Catriona Morison mezzo-soprano (Fricka)
Sarah Brady soprano (Freia)
Jasmin White contralto (Erda)
Louise Foor soprano (Woglinde)
Yajie Zhang mezzo-soprano (Wellgunde)
Jess Dandy contralto (Floßhilde)

Richard Wagner
Das Rheingold

Kirill Petrenko, dressed in black, smiles and raises both hands at head height. He stands on stage while the audience applauds in the background.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Gautier Capuçon cello

Works by
Igor Stravinsky, Piotr Tchaikovsky and Ludwig van Beethoven

Igor Stravinsky
Pulcinella, Suite (revised version from 1949)

Piotr Tchaikovsky
Variations on a Rococo Theme for cello and orchestra in A major, op. 33

Gautier Capuçon cello

Interval

Ludwig van Beethoven
Symphony No. 2 in D major, op. 36

Read more
Kirill Petrenko, dressed in black, smiles and raises both hands at head height. He stands on stage while the audience applauds in the background.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Gautier Capuçon cello

Works by
Igor Stravinsky, Piotr Tchaikovsky and Ludwig van Beethoven

Igor Stravinsky
Pulcinella, Suite (revised version from 1949)

Piotr Tchaikovsky
Variations on a Rococo Theme for cello and orchestra in A major, op. 33

Gautier Capuçon cello

Interval

Ludwig van Beethoven
Symphony No. 2 in D major, op. 36

Read more
Kirill Petrenko, dressed in black, smiles and raises both hands at head height. He stands on stage while the audience applauds in the background.

Main Auditorium

Berliner Philharmoniker
Kirill Petrenko conductor
Gautier Capuçon cello

Works by
Igor Stravinsky, Piotr Tchaikovsky and Ludwig van Beethoven

Igor Stravinsky
Pulcinella, Suite (revised version from 1949)

Piotr Tchaikovsky
Variations on a Rococo Theme for cello and orchestra in A major, op. 33

Gautier Capuçon cello

Interval

Ludwig van Beethoven
Symphony No. 2 in D major, op. 36

On stage are members of the orchestra with Kirill Petrenko, several cellists and other musicians playing various instruments. Two large works of art can be seen in the background.

Main Auditorium

Family Concert: “Pulcinella”

Berliner Philharmoniker
Kirill Petrenko conductor and co-presentation
Philipp Bohnen presentation

Igor Stravinsky
Pulcinella, Suite (revised version from 1949)

Read more
Kirill Petrenko conducts the orchestra with a baton. He stands on a podium, with sheet music in front of him. Wearing a black suit, he has a focused expression, and in the background, there is a dimly lit audience.

Chamber Music Hall

Karajan-Akademie der Berliner Philharmoniker
Kirill Petrenko conductor

Works by
Claude Debussy, Jacques Ibert, Maurice Ravel and Franz Schubert

Claude Debussy
String Quartet in G minor

Jacques Ibert
Trois Pièces brèves for wind quintet

Maurice Ravel
Introduction et Allegro for harp, flute, clarinet and string quartet

Interval

Franz Schubert
Symphony No. 4 in C minor, D 417

Read more
An open-air concert at dusk with a large audience surrounded by trees. The stage is illuminated under a white canopy and the sky is a mixture of clouds and fading light.

Waldbühne

End-of-season concert at the Waldbühne

Berliner Philharmoniker
Kirill Petrenko conductor
Jonas Kaufmann tenor

Works by
Giuseppe Verdi, Ruggero Leoncavallo, Francesco Cilèa, Umberto Giordano and Ottorino Respighi

Giuseppe Verdi
La forza del destino: Overture

Ruggero Leoncavallo
Pagliacci: "Si, può?", Prologue of Tonio

Jonas Kaufmann tenor

Ruggero Leoncavallo
»Recitar ... Vesti la giubba«, Aria of Canio

Jonas Kaufmann tenor

Francesco Cilèa
L'Arlesiana: »È la solita storia ... Anch'io vorrei«, Aria of Frederico

Jonas Kaufmann tenor

Umberto Giordano
Fedora: “Amor ti vietaˮ, Aria of Loris

Jonas Kaufmann tenor

Interval

Ottorino Respighi
Fontane di Roma

Ottorino Respighi
Pini di Roma

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