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Inspired by the French Revolution, Beethoven broke the boundaries of symphonic form with his “Eroica”. The work was longer, grander, and more innovative than any symphony had been before. It also presented a combative tone, unlike anything the audience had experienced. Gustavo Dudamel pairs Beethoven’s Third Symphony with another revolutionary work: Gabriela Ortiz’s Revolución diamantina. This piece addresses the so-called “Glitter Revolution,” the feminist protest against the ongoing violence against women in Mexico. The music, as Dudamel describes it, is “full of intuitive, primal rhythms and mysterious, soulful sound worlds.”
Artists
Berliner Philharmoniker
Gustavo Dudamel conductor
Members of the Rundfunkchor Berlin
Justus Barleben chorus master
Programme
Gabriela Ortiz
Revolución diamantina, ballet for eight voices and orchestra (Concert Version)
Members of the Rundfunkchor Berlin, Justus Barleben chorus master
Interval
Ludwig van Beethoven
Symphony No. 3 in E flat major, op. 55 “Eroica”
Additional information
Duration ca. 2 hours and 10 minutes (incl. 20 minutes interval)
Main Auditorium
49 to 156 €
Introduction
19:15
with Frederik Hanssen
Series G: Concerts with the Berliner Philharmoniker
Main Auditorium
49 to 156 €
Introduction
19:15
with Frederik Hanssen
Series L: Concerts with the Berliner Philharmoniker
Main Auditorium
49 to 156 €
Introduction
18:15
with Frederik Hanssen
Series AK: Compact
Gabriela Ortiz is one of Latin America’s most important composers. Her works are brimming with energy, deeply moving and remarkable for their sheer beauty of sound. All these qualities can be heard in her ballet score Revolución diamantina. Gustavo Dudamel conducts the work with the Berliner Philharmoniker in mid June.
When Gustavo Dudamel became Music Director of the Los Angeles Philharmonic in 2009, he was still relatively near the beginning of his extraordinary career. After many successful years there, he will move in the summer of 2026 to the same position at the New York Philharmonic. In his conducting style, he combines precision with emotional intensity – and that far beyond the traditional realms of concert and opera: Dudamel is involved in film productions and crossover projects and has appeared, for example, alongside Billie Eilish and at the Super Bowl. In this way, he continually expands his sphere of influence – and that of classical music itself: “Music gives individuals a powerful sense of meaning – one that can be put to work for the common good. When you give a child an instrument, you give them an identity. You remind them that they have a voice, and that their voice matters,” he wrote in the New York Times in 2024. His own experience speaks through these words: Dudamel grew up in modest circumstances in Venezuela and began as a violinist in the youth program El Sistema. Since the age of 19 he has been chief conductor of Venezuela’s Simón Bolívar Symphony Orchestra, and winning the first Mahler Conducting Competition in 2004 opened international doors for him. Since his debut with the Berliner Philharmoniker at the Waldbühne in 2008, he has enjoyed a close relationship with the orchestra.
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