Info
Johannes Brahms’ violin concerto defined the genre for late Romantic era. Despite the huge demands it makes on the soloist, the work is symphonic in nature. Our Artist in Residence, Janine Jansen, who blends formidable strength with tremendous sensitivity and compelling story-telling skills, will be very much at home with Kirill Petrenko and the Berliner Philharmoniker in this concert. Completing the programme, Alexander Scriabin’s Third Symphony depicts the ascent of the human spirit from darkness to enlightenment – mystical, intoxicating, and intense.
Artists
Berliner Philharmoniker
Kirill Petrenko conductor
Janine Jansen violin
Programme
Johannes Brahms
Concerto for Violin and Orchestra in D major, op. 77
Janine Jansen violin
Interval
Alexander Scriabin
Symphony No. 3 in C minor, op. 43 ‟Le divin poèmeˮ
Additional information
Duration ca. 2 hours and 15 minutes (incl. 20 minutes interval)
Main Auditorium
49 to 156 €
Introduction
19:15
Series B: Concerts with the Berliner Philharmoniker
Main Auditorium
49 to 156 €
Introduction
19:15
Series L: Concerts with the Berliner Philharmoniker
Main Auditorium
49 to 156 €
Introduction
19:15
Series M: Concerts with the Berliner Philharmoniker
Janine Jansen in Conversation: Brahms’ Violin Concerto
In this interview, Janine Jansen talks about her first collaboration with Kirill Petrenko, her deep connection with the music of Brahms, and his Violin Concerto as a work that bridges the scope of symphonic work and the intimacy of chamber music.
Kirill Petrenko has been chief conductor and artistic director of the Berliner Philharmoniker since the 2019/20 season. Born in Omsk in Siberia, he received his training first in his home town and later in Austria. He established his conducting career in opera with positions at the Meininger Theater and the Komische Oper Berlin. From 2013 to 2020, Kirill Petrenko was general music director of Bayerische Staatsoper. He has also made guest appearances at the world’s leading opera houses, including Wiener Staatsoper, Covent Garden in London, the Opéra national in Paris, the Metropolitan Opera in New York and at the Bayreuth Festival. Moreover, he has conducted the major international symphony orchestras – in Vienna, Munich, Dresden, Paris, Amsterdam, London, Rome, Chicago, Cleveland and Israel. Since his debut in 2006, a variety of programmatic themes have emerged in his work together with the Berliner Philharmoniker. These include work on the orchestra’s core Classical-Romantic repertoire, for example with symphonies by Beethoven, Mendelssohn and Brahms. Unjustly forgotten composers such as Josef Suk and Erich Wolfgang Korngold are another of Kirill Petrenko’s interests. Russian works are also highlighted, with performances of Tchaikovsky’s operas Mazeppa, Iolanta and The Queen of Spades attracting particular attention recently.
For Janine Jansen, music is an existential experience. This can be exhausting, she says, “but I want that intensity. As a musician, I always want to give everything, and never hold back.” Her playing is often described as having a vocal, speech-like quality, and she pays keen attention to the shaping of individual notes. Janine Jansen was born in Soest, near Utrecht. At the age of 19, after completing her studies and making her debut at the Concertgebouw Amsterdam in 1997, she launched her international career. Her debut album was released in 2003, followed a year later by a recording of Vivaldi’s Four Seasons that became a worldwide success. Today she performs regularly with the world’s leading conductors and orchestras – including the Berliner Philharmoniker, with whom she made her Waldbühne debut in 2006. She is the orchestra's Artist in Residence this season. She has held a professorship at the Kronberg Academy since 2023, and she is the Artistic Director of the International Chamber Music Festival in Utrecht, which she founded in 2003. Janine Jansen has received numerous awards, among them the Dutch government's Johannes Vermeer Prize in 2018 and the Herbert von Karajan Prize of the Salzburg Easter Festival in 2020. She plays a 1715 Stradivarius violin known as the “Shumsky Rode”, generously loaned to her by a European patron. She is a Pirastro artist and performs on Evah Pirazzi Neo strings.
Plan your visit
Opening hours, program booklets, dress code, introductions and more
How to get to the Philharmonie Berlin
Whether by bus, train, bike or car: Here you will find the quickest way to the Philharmonie Berlin - and where you can park there.
Ticket information
Advance booking dates, opening hours, seating plans, discounts