Vision String Quartet
Vision String Quartet | Picture: Harald Hoffmann

Concert information


Info

The vision string quartet impresses with its distinctive performance style and breaks down genre boundaries with innovative programmes. The ensemble sees itself as both a classical string quartet and a pop band. In the first half of this concert, it performs the meditative Prélude (Recueillement) by Ernest Bloch and Béla Bartók’s expressive Fourth String Quartet – a brilliant synthesis of modernism and Hungarian folk music. The second half is dedicated to jazz and pop music, with the vision string quartet presenting new pieces from its Spektrum II project.


Artists

vision string quartet:
Florian Willeitner violin
Daniel Stoll violin
Sander Stuart viola
Leonard Disselhorst cello


Programme

Ernest Bloch
Prélude (Recueillement) for string quartet

Béla Bartók
String Quartet No. 4, Sz 91

Interval

New Compositions from Spectrum II (Jazz & Pop)


Additional information

Duration ca. 2 hours (incl. 20 minutes interval)



Chamber Music Hall

12 to 31 €

Introduction
19:30

Series T: Quartet

Vision String Quartet
Vision String Quartet | Picture: Harald Hoffmann

Biography

vision string quartet

From a garden allotment to the big stage is just a small step. In one of their music videos, the four musicians of the vision string quartet pluck out a relaxed samba while moving through the setting of a German allotment garden colony – complete with Hawaiian leisure outfits, swimming pool, and unicorn float. In another universe, they stride onto major international stages in elegant attire to perform the core string quartet repertoire at the highest level – always from memory and (with the exception of the cellist) standing. After studying with the Artemis Quartet and Günter Pichler, the primarius of the Alban Berg Quartet, and after many competition successes, the ensemble, founded in 2012, soon found itself in the international spotlight. The quartet’s vision includes broadening stylistic horizons and integrating arrangements from pop and jazz as well as their own compositions into their concert programmes. With their groove and imaginative improvisations, the four musicians demonstrate that combining classical fidelity to the work with the feel of an experimental band is not a daring balancing act, but is rather a form of lived musicality. The proof: they perform in such prominent concert halls as the Concertgebouw in Amsterdam, the Tonhalle Zurich, the Berlin Philharmonie, the Elbphilharmonie Hamburg, and London’s Wigmore Hall. They have also toured Japan, Australia, and Korea.