Berliner Philharmoniker
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Matthew Hunter | Picture: Stefan Höderath

Informations


Facts

Born in Bellaire (OH), USA
Member since 01.09.1996


Biography

Matthew Hunter was 26 when he »discovered« the viola. He was pursuing the career of violinist and had devised a special training programme for that instrument: if he could play Beethoven’s Violin Concerto in tune on the larger viola, then – according to his theory – the piece would be »child’s play« for him on the violin. He became so infatuated with the viola’s »dark chocolate« tone that he made the switch over to the deeper instrument. Shortly after that he won the Gee International Viola Competition. Hunter, who began music lessons at the age of seven, cites as his formative teachers Julian Olevsky, Roman Totenberg (former assistant to Carl Flesch in Berlin), Michael Tree and Jaime Laredo. 

In 1985 he became Masao Kawasaki’s assistant at Cincinnati’s College-Conservatory of Music. He also earned his Bachelor’s Degree in Philosophy at Dartmouth College as well as a Master of Music and Artist’s Diploma. Matthew Hunter came to the Berliner Philharmoniker from Ottawa, where from 1991-95 he was associate principal viola of Canada’s National Arts Centre Orchestra. He is a versatile musician, who also plays the guitar (for example in performances of Mahler’s Seventh Symphony), makes arrangements and plays in several Philharmonic chamber ensembles, including the Berlin Philharmonic Stradivari Soloists.


Awards

Citation of Excellence of the University of Massachusetts (1998)
First prize, Gee International Viola Competition (1986)


Ensembles of the Berliner Philharmoniker

Philharmonic Stradivari Soloists Berlin
Berlin Philharmonic String Sextet
Berlin Philharmonic Piano Quartet

Behind the music: Matthew Hunter
Video portrait

Video: Adam Janisch / Magdalena Zieba-Schwind

Violist Matthew Hunter grew up not far from Boston and attended his most wonderful concert at Boston Symphony Hall when he was only 8 years old. He tells us more about this historic concert hall and also what he would have done if he hadn’t been able to join the Berliner Philharmoniker.

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