Symphonic Landscapes: Kirill Petrenko and Leif Ove Andsnes

Kirill Petrenko energetically conducts the orchestra. He holds a baton and gestures with his other hand, surrounded by musicians playing various string instruments.
Kirill Petrenko | Picture: Stephan Rabold
Leif-Ove Andsnes with light brown hair and a beard, wearing a dark suit and turtleneck, stands against a dark background, looking to the side with a serious expression.
Leif-Ove Andsnes | Picture: Helge Hansen / Sony Music Entertainment

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    Kirill Petrenko conducts a programme filled with evocative landscapes: Beethoven’s Symphony No. 6, the “Pastoral”, is a tribute to country life incorporating a wide panorama of human emotion. Mendelssohn’s Hebrides Overture transports us to Scotland and the legendary Fingal’s Cave. Norway’s landscapes are conjured in Edvard Grieg’s Piano Concerto, for which Leif Ove Andsnes is the soloist. With its echoes of Nordic folk tradition, the piece includes solo passages which suggest the presence of trolls and elves.


    Artists

    Berliner Philharmoniker
    Kirill Petrenko conductor
    Leif Ove Andsnes piano


    Programme

    Jean Sibelius
    Night Ride and Sunrise, Symphonic Poem, op. 55

    Edvard Grieg
    Concerto for Piano and Orchestra in A minor, op. 16

    Leif Ove Andsnes piano

    Programme note

    Interval

    Ludwig van Beethoven
    Symphony No. 6 in F major, op. 68 “Pastoral”

    Programme note


    Additional information

    Duration ca. 2 hours (incl. 20 minutes interval)


    Dates and tickets


    Main Auditorium

    50 to 161 €

    Introduction
    19:15

    Background

    It doesn’t get more modern than this
    Why Beethoven matters more than ever

    Black and white engraving of a man with curly hair, wearing a high-collared shirt, cravat, and dark coat, looking slightly to the right with a serious expression.
    Ludwig van Beethoven; 1877 | Picture: Wien Museum, CC0

    Beethoven was not just a revolutionary composer, but also a far-sighted thinker – independent, deeply suspicious of authority, and profoundly humanistic. His uncompromising attitude in both his life and in his music, together with his belief in freedom and in self-determination, continue to make him feel strikingly contemporary.

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