Group picture of the orchestra in front of a dramatic sky
Mahler Chamber Orchestra | Picture: Molinavisuals
Antoine Tamestit is holding his imaginary instrument in his hands.
Antoine Tamestit | Picture: Julien Mignot

    Concert information

    At the invitation of the Berliner Philharmoniker


    Info

    Antoine Tamestit captivates with his dark, warm viola tone and musical storytelling. Together with the Mahler Chamber Orchestra, he presents a programme full of emotional depth and striking contrasts: alongside excerpts from The Art of Fugue and chorales by Johann Sebastian Bach, Paul Hindemith’s poignant Trauermusik for viola and orchestra is performed – a musical tribute to the English King George V. In Alfred Schnittke’s expressive Monologue, the viola appears fragile, searching, and doubtful. Dmitri Shostakovich’s heartfelt Chamber Symphony mourns the victims of war and fascism.


    Artists

    Mahler Chamber Orchestra
    Antoine Tamestit viola


    Programme

    Johann Sebastian Bach
    “Vor deinen Thron tretʼ ich hiermit”, Chorale, BWV 327

    Paul Hindemith
    Trauermusik for Viola and String Orchestra

    Johann Sebastian Bach
    The Art of the Fugue, BWV 1080: Contrapunctus I

    Johann Sebastian Bach
    The Art of the Fugue, BWV 1080: Contrapunctus III

    Alfred Schnittke
    Monolog for viola and string orchestra

    Interval

    Johann Sebastian Bach
    The Art of the Fugue, BWV 1080: Contrapunctus II

    Johann Sebastian Bach
    The Art of the Fugue, BWV 1080: Contrapunctus IV

    Dmitri Shostakovich
    Chamber Symphony in C minor, op. 110a (orch. Rudolf Barshai)

    Johann Sebastian Bach
    “Vor deinen Thron tret’ ich hiermit”, Choral, BWV 668


    Additional information

    Duration ca. 2 hours (incl. 20 minutes interval)



    Chamber Music Hall

    12 to 31 €

    Series O: International Chamber Orchestras

    Biography

    Mahler Chamber Orchestra

    Thanks to its nuanced, transparent, and powerful sound, the Mahler Chamber Orchestra is considered one of the world’s leading ensembles. It was founded in 1997 by former members of the Gustav Mahler Youth Orchestra, and Claudio Abbado, who was then the orchestra’s chief conductor, played a decisive role in supporting the ensemble during its early years. The Mahler Chamber Orchestra is a free and self-governing ensemble, describing itself as a “nomadic collective” that regularly comes together for projects and tours throughout Europe and worldwide. The core of the orchestra consists of 45 members from 20 different countries.

    The orchestra’s distinctive sound results from an intense artistic dialogue shaped by an approach to performing shaped by chamber music. The Mahler Chamber Orchestra has enjoyed a long-standing artistic partnership with Daniel Harding, its current Honorary Conductor, as well as with its Artistic Advisor Daniele Gatti. Other close collaborators include pianists Mitsuko Uchida and Yuja Wang. While the orchestra initially focused primarily on the Classical and Romantic repertoire, it has since incorporated contemporary music into its programmes. The Mahler Chamber Orchestra is a regular guest at the concerts of the Berliner Philharmoniker Foundation. Since 2024, the orchestra has held the artistic directorship of the Hitzacker Music Week.

    Antoine Tamestit

    “As a passionate musician, I love to travel and share music with audiences and people from different cultures,”  says Antoine Tamestit, whose Stradivarius viola, he says, “sounds neither higher nor lower than a violin.” 

    “I think its sound is unique—especially warm, like that of an Italian opera singer,” he says. Admired for his technique and colourful tone, Antoine Tamestit has been acclaimed as “one of the best violists in the world” (Deutschlandfunk). He studied at the Paris Conservatoire, Yale University, as well as with Tabea Zimmermann in Berlin, and has won several prestigious competitions.

    As a soloist and founding member of the Trio Zimmermann (together with Frank Peter Zimmermann and Christian Poltera), he can be heard with a wide-ranging repertoire from the Baroque to the present on all the major stages of the world. His strong commitment to contemporary music is evident in numerous world premieres of new works, such as the Viola Concerto by Jörg Widmann, Remnants of songs by Olga Neuwirth, or the Concerto for Two Violas by Bruno Mantovani. Antoine Tamestit was program director of the Viola Space Festival in Japan for ten years, focusing on expanding the viola repertoire and a broad spectrum of educational programs.