Portrait of the young man Jan Liebermann, sitting in a blue jumper and jeans in front of a background with blue, round glass windows. He is looking to the side.
Jan Liebermann | Picture: Max Lautenschläger

Concert information


Tickets


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Our organ turns 60 – and we’re celebrating this milestone with a late-night concert featuring the young organist Jan Liebermann and the Berliner Philharmoniker’s principal flautist Emmanuel Pahud. The programme includes popular works by Johann Sebastian Bach, among them two flute sonatas, the famous Toccata in D minor, and the virtuosic Sinfonia from the “Ratswahl” Cantata. Max Reger’s transcription of the Prelude and Fugue in B minor from The Well-Tempered Clavier leads into more romantic realms, before the full splendour of our organ unfolds in an arrangement of the celebrated Chaconne.


Artists

Jan Liebermann organ
Emmanuel Pahud flute


Programme

Johann Sebastian Bach
Toccata and Fugue in D minor, BWV 565

Johann Sebastian Bach
Sonata for Transverse Flute and Harpsichor in A major, BWV 1032

Emmanuel Pahud flute

Charles-Marie Widor
Bach's Memento: Marche du vielleur de nuit (Choral Setting from the Cantata “Wachet auf, ruft uns die Stimme”, BWV 140)

Johann Sebastian Bach
The Well-Tempered Clavier, Part 1: Prelude and Fugue in B minor, BWV 867 (arr. Max Reger)

Johann Sebastian Bach
“Wir danken dir, Gott»Wir danken dir, Gott”, Cantata, BWV 29: Sinfonia (transcr. Marcel Dupré), Cantata, BWV 29: Sinfonia (transcr. Marcel Dupré)

Johann Sebastian Bach
Sonata for Transverse Flute in C major, BWV 1033

Emmanuel Pahud flute

Johann Sebastian Bach
Partita No. 2 in D minor, BWV 1004: 5th Movement Chaconne (arr. for organ by Arno Landmann)


Additional information

Duration ca. 1 hour and 10 minutes



Main Auditorium

24 €

Royal Highness
The organ in the Philharmonie Berlin tunrs 60 

Organ of the Philharmonie Berlin | Picture: Heribert Schindler

The organ of Berlin's Philharmonie is not just an acoustic marvel; it is also visually astonishing. Its expressive and elegant design is intended to complement the hall’s internal architecture. It has more than 6,5000 pipes, allowing it to create an almost infinite range of tone colours. For more than sixty years, this instrument has watched over the main auditorium of the Philharmonie, but its journey through time has not always been a smooth one.