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The early Baroque marked a turning-point in musical history – away from the balanced polyphony of the Renaissance toward a more emotional, affect-driven language. Michele Pasotti and his ensemble La Fonte Musica bring this epoch to life in their programme La sera del combattimento (“The Evening of the Duel”). They reconstruct the premiere of Monteverdi’s madrigal Il combattimento di Tancredi e Clorinda, in which two lovers unknowingly fight each other. To highlight its dramatic novelty, as was the practice in Monteverdi’s time, the programme begins with vocal works in an earlier style.
Artists
La Fonte Musica
Michele Pasotti theorbo and conductor
Programme
Salamone Rossi
Sinfonia grave
Claudio Monteverdi
Il quarto libro de madrigali: ‟Sfogava con le stelle un infermo dʼamoreˮ
Claudio Monteverdi
Il quinto libro de madrigali SV 94: ‟Cruda Amarilliˮ
Dario Castello
Sonata Decima quinta
Claudio Monteverdi
Il quarto libro de madrigali: ‟Anima mia, perdona a chi tè crudaˮ
Claudio Monteverdi
Il quarto libro de madrigali: ‟Il quarto libro de madrigaliˮ
Maurizio Moro
Claudio Monteverdi
Madrigali guerrieri, et amorosi, libro ottavo: Sinfonia
Claudio Monteverdi
ll sesto libro de madrigali: ‟Ohimè il bel visoˮ
Claudio Monteverdi
LʼOrfeo, SV 318: Sinfonia to Act 2
Claudio Monteverdi
ll sesto libro de madrigali: ‟Zefiro torna eʼl bel tempo rimenaˮ
Salamone Rossi
Sonata prima ‟detta la Modernaˮ
Claudio Monteverdi
Madrigali guerrieri, et amorosi, libro ottavo: ‟Hor cheʼl ciel et la terraˮ and ‟Così sol d’una chiara fonte vivaˮ
Claudio Monteverdi
Il combattimento di Tancredi e Clorinda, SV 153
Additional information
Duration ca. 1 hour and 30 minutes
Chamber Music Hall
12 to 31 €
Introduction
14:45
Golden, ornate, with magnificent façades – this is often our first impression of the Baroque. Yet behind the glittering surfaces of an era that stretched from the early 17th to the mid-18th century lies a world brimming with artistic curiosity, technical innovation, and striking contrasts.
Michele Pasotti, founder and director of La Fonte Musica, is recognized as one of the leading lutenists of his generation. He studied with renowned musicians such as Hopkinson Smith and Paul O’Dette and further specialized in Renaissance theory and counterpoint, with a focus on medieval performance techniques and the Ars Nova music of the 14th century. Born in Pavia, he also completed a degree in Theoretical Philosophy there with distinction. As a lutenist and ensemble director, he combines philological precision with artistic imagination, creating a vibrant sound world—never mere reconstruction, but rather a continually fresh experience.
According to BR-Klassik, his performances convey “unaffected freshness” as well as “subtlety and dynamism.” Pasotti regularly performs with distinguished period-instrument ensembles such as Il Giardino Armonico, the Venice Baroque Orchestra, Les Musiciens du Louvre, and the Akademie für Alte Musik Berlin, collaborating with conductors including John Eliot Gardiner, Ottavio Dantone, and Thomas Hengelbrock. Since 2012, he has taught at the Civica Scuola di Musica di Milano and serves as Professor of Lute at the Conservatorio di Musica Bruno Maderna in Cesena (Emilia-Romagna).
The members of the Italian early-music ensemble La Fonte Musica are among the most distinguished interpreters of Trecento music, the Italian 14th century, though their repertoire spans from the 14th to the 17th century. Every project begins with in-depth research aimed at decoding the rhetoric and grammar of the works, with the goal of performing the music faithfully and with sensitivity to its time and place of origin. Founded by lutenist Michele Pasotti, the ensemble performs at the most prestigious early music festivals across Europe, including the Innsbruck Early Music Festival, Oude Muziek in Utrecht, Resonanzen at the Wiener Konzerthaus, the Tagen Alter Musik Regensburg, the Potsdam Sanssouci Music Festival, and the Monteverdi Festival in Cremona.
La Fonte Musica also appears regularly at major venues such as the Concertgebouw in Bruges, the Pierre Boulez Saal in Berlin, and the De Bijloke Music Centre in Ghent. The ensemble has toured extensively throughout Europe, Canada, and the United States. Its numerous recordings have won major European awards, including the Diapason d’or, the Supersonic Award from Pizzicato, Gramophone’s Editor’s Choice, and the German Record Critics’ Award.
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