Himari holds a violin on his chin and looks into the camera
Himari | Picture: Hitoshi Iwakiri
Sebastian Weigle | Picture: Kirsten Bucher

    Concert information


    Info

    Schubert’s “Great” C major Symphony is considered by many to epitomise romanticism in orchestral music. The first call of the horns is typical of the era – evoking a sound world that is at once warm, idyllic and full of yearning. Two further Romantic works will also be performed: Carl Maria von Weber’s overture to the fairy-tale opera Oberon and Henryk Wieniawski’s Violin Concerto No. 1, with its combination of heartfelt expression and overwhelming virtuosity. Himari, who comes from Japan and is just 13 years old, makes her debut with the Berliner Philharmoniker as soloist. Conductor Sebastian Weigle, who is standing in for Zubin Mehta, also makes his debut with the Berliner Philharmoniker.

     


    Artists

    Berliner Philharmoniker
    Sebastian Weigle conductor (replacing Zubin Mehta)
    Himari violin


    Programme

    Carl Maria von Weber
    Oberon: Overture

    Programme note

    Henryk Wieniawski
    Concerto for Violin and Orchestra No. 1 in F sharp minor, op. 14

    Himari violin

    Programme note

    Interval

    Franz Schubert
    Symphony No. 8 in C major, D 944 “Great”

    Programme note


    Additional information

    Duration ca. 2 hours and 15 minutes (incl. 20 minutes interval)



    Main Auditorium

    47 to 149 €

    Introduction
    19:15

    Series K: Concerts with the Berliner Philharmoniker


    Main Auditorium

    47 to 149 €

    Introduction
    19:15

    Series M: Concerts with the Berliner Philharmoniker


    Main Auditorium

    47 to 149 €

    Introduction
    18:15

    Series N: Concerts with the Berliner Philharmoniker

    Biographies

    Sebastian Weigle

    Since the 2019 season, Sebastian Weigle has been the principal conductor of the Yomiuri Nippon Symphony Orchestra in Tokyo. His engagements have taken him to numerous renowned opera houses, including those in Berlin, Munich, Dresden, Hamburg, Zurich, the Vienna State Opera, the Metropolitan Opera in New York, and Tokyo. In concerts, he has conducted prominent orchestras such as the radio orchestras of Berlin, Munich and Stuttgart, the Vienna Symphony Orchestra, the Bamberg Symphony, major Scandinavian orchestras, and internationally in Tokyo, Chicago, and Melbourne. 

    From 2008 to 2023, Sebastian Weigle was the General Music Director of the Frankfurt Opera. Additionally, from 2004 to 2009, he served as chief conductor at the Gran Teatre del Liceu in Barcelona. In the summer of 2007, he made his debut at the Bayreuth Festival with a new production of Die Meistersinger von Nürnberg. Born in Berlin, Sebastian Weigle studied horn, piano, and conducting at the Hochschule für Musik Hanns Eisler. In 1982, he was appointed principal hornist of the Staatskapelle Berlin.In 1987, he founded the Berlin Chamber Choir and was the artistic director of Neues Berliner Kammerorchester. In 1993, he became the chief conductor of the Junge Philharmonie Brandenburg, and from 1997 to 2002, he served as Staatskapellmeister at the Berlin State Opera. 


    Himari

    Himari has been playing the violin since she was three years old; she performed with a professional orchestra for the first time three years later. Since then, she has been riding a wave of enthusiasm from Japan to the rest of the world. She has won a total of 42 first prizes at various competitions – mostly with special honours. In 2019, she took part in the International Summer Academy Mozarteum Salzburg and was the youngest participant in the Academy’s concert at the Salzburg Festival, where she was honoured for her outstanding performance; in 2022, she was accepted as one of the youngest students at the Curtis Institute of Music in Philadelphia.

    Himari is now 13 years old. She made her debut with the Philadelphia Orchestra under Marin Alsop at the New Year’s Eve Celebration less than three months ago, and is now giving her first concert with the Berliner Philharmoniker. She is regarded as the most promising violinist of her generation. “But if you listen to Himari and close your eyes,” says Ida Kavafian, her teacher at the famous Curtis Institute, “you can’t tell her age at all. Himari has an older personality, and she is an astute musician.”