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Anton Bruckner’s symphonies have often been described as cathedrals of sound. And they really do combine a powerful architecture of sound with soaring climaxes and visions of the transcendent. This also applies to the Fifth Symphony, which Bruckner called his “contrapuntal masterpiece” because of its ingenious compositional technique. Kirill Petrenko combines it with a work that also has a connection to sacred architecture: Wolfgang Rihm’s IN-SCHRIFT, whose dark, powerfully-sculpted sounds are inspired by St Mark’s Basilica in Venice.
The Berliner Philharmoniker and Kirill Petrenko dedicate these concerts to the memory of Wolfgang Rihm (1952-2024).
Artists
Berliner Philharmoniker
Kirill Petrenko conductor
Programme
Wolfgang Rihm
IN-SCHRIFT
Interval
Anton Bruckner
Symphony No. 5 in B flat major
Additional information
In co-operation with Berliner Festspiele
Main Auditorium
37 to 106 €
Introduction
19:15
Series G: Concerts with the Berliner Philharmoniker
Main Auditorium
37 to 106 €
Introduction
19:15
Series M: Concerts with the Berliner Philharmoniker
Main Auditorium
37 to 106 €
Introduction
18:15
Bruckner’s monumental symphonies can be intimidating, so members of the Berliner Philharmoniker give their tips for the Bruckner listening experience.
Kirill Petrenko has been chief conductor and artistic director of the Berliner Philharmoniker since the 2019/20 season. Born in Omsk in Siberia, he received his training first in his home town and later in Austria. He established his conducting career in opera with positions at the Meininger Theater and the Komische Oper Berlin. From 2013 to 2020, Kirill Petrenko was general music director of Bayerische Staatsoper. He has also made guest appearances at the world’s leading opera houses, including Wiener Staatsoper, Covent Garden in London, the Opéra national in Paris, the Metropolitan Opera in New York and at the Bayreuth Festival. Moreover, he has conducted the major international symphony orchestras – in Vienna, Munich, Dresden, Paris, Amsterdam, London, Rome, Chicago, Cleveland and Israel. Since his debut in 2006, a variety of programmatic themes have emerged in his work together with the Berliner Philharmoniker. These include work on the orchestra’s core Classical-Romantic repertoire, for example with symphonies by Beethoven, Mendelssohn and Brahms. Unjustly forgotten composers such as Josef Suk and Erich Wolfgang Korngold are another of Kirill Petrenko’s interests. Russian works are also highlighted, with performances of Tchaikovsky’s operas Mazeppa, Iolanta and The Queen of Spades attracting particular attention recently.
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