Franz Schreker and Arnold Schoenberg were two of the visionary thinkers of Vienna’s music scene in the Belle Époque. On the threshold between late Romanticism and Modernism, they were looking for new forms of expression. Schreker, as his dance allegory Der Wind makes clear, remained committed to the sensuous musical language of the fin de siècle. Schoenberg, too, still made use of this style in his opulent early work Verklärte Nacht, but before long he went off on a different path: for example, with the avant-garde Pierrot Lunaire, one of his masterpieces. All three works on this programme are spellbindingly infused with a rapt, dreamlike atmosphere.
Stanley Dodds violin and conductor
Martin Löhr violoncello
Andraž Golob clarinet
Stefan Dohr horn
Philip Mayers piano
Marlene Ito violin
Naoko Shimizu viola
Tobias Reifland viola
Uladzimir Sinkevich violoncello
Jelka Weber flute
Tabatha McFadyen vocal and co-director
Constantine Costi co-director
Allie Graham dance
Shannon Bruns choreography
Franz Schreker
Der Wind (The wind)
Stanley Dodds (violine), Martin Löhr (violoncello), Andraž Golob (clarinet), Stefan Dohr (horn), Philip Mayers (piano)
Arnold Schönberg
Verklärte Nacht for string sextet, op. 4
Marlene Ito (violin), Naoko Shimizu (viola), Tobias Reifland (viola), Uladzimir Sinkevich (violoncello)
Arnold Schönberg
Pierrot lunaire op. 21
Stanley Dodds (conductor), Marlene Ito (violin), Naoko Shimizu (viola), Martin Löhr (violoncello), Jelka Weber (flute), Andraž Golob (clarinet), Philip Mayers (piano), Tabatha McFadyen (vocals and co-director), Constantine Costi (co-director), Allie Graham (dance), Shannon Bruns (choreography)