François-Xavier Roth (photo: Marco Borggreve)

Philharmonie »Late Night«

A “Late Night” with Edgard Varèse and François-Xavier Roth

Most of Edgard Varèse’s works are witty miniatures. But at the time of their creation nearly a hundred years ago, they embodied a tangible revolution – with new forms of composition and a hitherto unknown fusion of sound and music. This is shown, for example, by the famous Ionization in which percussion, pianos and sirens create a mysterious nocturnal scene. In this Late Night concert, François-Xavier Roth presents original works by the French composer.

Members of the Berliner Philharmoniker

François-Xavier Roth conductor

Sarah Aristidou soprano

Edgard Varèse

Density 21.5 for Solo Flute

Edgard Varèse

Hyperprism for Winds and Percussion Instruments

Edgard Varèse

Intégrales for Small Wind Orchestra and Percussion

Edgard Varèse

Ionisation for 13 Percussionists

Edgard Varèse

Octandre for seven Winds and Double Bass

Sarah Aristidou soprano

Edgard Varèse

Offrandes, 2 Pieces for Soprano and Chamber Orchestra

Edgard Varèse

Poème électronique for Audio Tape

Dates and Tickets

Sat, 26 Oct 2019, 22:00

Philharmonie

Live in the Digital Concert Hallgo to broadcast

Programme

Sound visions in the late evening: “Imagine the projection of a geometrical figure on a plane with both figure and plane moving through space, each with its own arbitrary and varying speeds of translation and rotation.” Edgard Varèse was fascinated by a composed spatial movement of sounds – as he was by using different noise values that were achieved primarily by percussion instruments and went down in music history as “the liberation of sound”. All this is clearly evident in works such as Hyperprism, Intégrales and Ionisation.

Besides these works, at this Late Night members of the Berliner Philharmoniker and François-Xavier Roth will also dedicate themselves to Edgard Varèse’s Octandre, in which the composer, full of vitality, turned his back on the traditional string sound, which for him represented the 18th and 19th century, with four individual woodwind players, three brass players and a double bass. In Offrandes, on the other hand, the soprano voice is surrounded by orchestral atmospheres, with a palette of sounds ranging from the softest pianissimo to a sudden eruption.

21.5 is the density of platinum, and it gave Density 21.5 for flute its title: Varèse composed the work for the flutist Georges Barrère, who had requested a short solo with which he wanted to present his new platinum instrument in 1936 at a New York gala concert. Varèse reached the ultimate “liberation of sound” in his last works for electronics, including in his Poème électronique for electronic tape, which was heard by several million people during the 1958 Brussels World’s Fair in Le Corbusier’s Philips Pavilion.

François-Xavier Roth (photo: Marco Borggreve)

Sarah Aristidou (photo: Neda Navaee)

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