Four Duets BWV 802 - 805
Six Moments musicaux D 780 No. 6 Plaintes d'un troubadour in A flat major
Serynade for piano
A Berliner Festspiele/Musikfest Berlin event
17:00 | Kammermusiksaal
In Serynade, the piano piece Helmut Lachenmann composed between 1997 and 2000, he traces new sounds the instrument can produce, how they might emerge through differentiated touch techniques or a new way of using the pedals. The wordplay in the title of the approximately 30-minute composition alludes to the first letter of the first name of Lachenmann’s wife, Japanese pianist Yukiko Sugawara.
This title, however, also places the composition in a series of piano works by other composers, who took up the tradition of the serenade as a form of sophisticated 18th century entertainment music and sublimated it into subtle musical character portraits. English pianist Nicolas Hodges’ repertoire has included Lachenmann’s Serynade for over a decade now, and his interpretation has received high praise, not least from the composer himself.
In the first part of his piano evening, Hodges presents Zwei Linien, a piece that Wolfgang Rihm spent 13 years on as a kind of “work in progress”. The title of the composition reflects Rihm’s focus on the two-part piano works of Johann Sebastian Bach such as the Inventions or Duetti. Rihm used Bach’s music as a starting point for his own creative work, and Hodges highlights this by opening the recital with Bach’s 4 Duetti BWV 802-805.